Morrissey autobiography hard back stadium seating chart

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FedEx Field Seating Chart. Retrieved 29 December The Guardian. Archived from the original on October 17, Archived from the original on Retrieved 23 June The Bookseller. The Telegraph. Retrieved 17 October The Observer. Mad About the Boy by Helen Fielding. My Autobiography by Alex Ferguson. The Rocky Road by Eamon Dunphy. Bonfire of Teenagers.

At KROQ. Who Put the M in Manchester? Live at the Hollywood Bowl Morrissey: 25 Live. Autobiography List of the Lost. Categories : British autobiographies non-fiction books Books by Morrissey. Toggle the table of contents. Autobiography Morrissey book. Add languages Add topic. It was a number one best-seller in the UK and received polarised reviews, with certain reviewers hailing it as brilliant writing and others decrying it as overwrought and self-indulgent.

A few days before the book's apparently scheduled, but unannounced, release on 16 SeptemberMorrissey issued a statement explaining that a content dispute with Penguin Books meant that publication would be delayed and that he was seeking a new publisher. On the day of the book's publication, Morrissey undertook a signing session in Gothenburg, with some fans queuing up to 30 hours in advance.

Putnam's Sons.

Morrissey autobiography hard back stadium seating chart

The book is not divided into chapters, and its opening paragraph lasts four and a half pages. He writes extensively about the television programmes, literature and music that influenced him, devoting many pages to the New York Dolls, whom he persuaded to reform in the early s. The book includes a number of descriptions of people Morrissey has worked with which his biographer Tony Fletcher calls "character assassinations".

Fletcher describes the depiction of Rough Trade Records boss Geoff Travis as particularly unflattering. The book was not issued with an index, although an informal and unauthorised "online index" created by a fan was released on 22 May [15]. Autobiography became the number one selling book in the UK upon release, setting a new first week sales record for a music autobiography.

Neil McCormick in The Daily Telegraph gave the book a 5-star review that called it "the best written musical autobiography since Bob Dylan's Chronicles ", [18] while Boyd Tonkin in The Independent criticised the book's "droning narcissism" as well as the behaviour of its publisher for issuing it in their Classics series. John Harris wrote in The Guardian website, "for its first pages, Autobiography comes close to being a triumph", but focuses unduly on Morrissey's legal battles with Mike Joyce; "the verbiage dedicated to this stuff threatens to eclipse what he has to say about every other aspect of his career".

Its lyrical quality suggests that beneath the hard-bitten scoffer there lurks a romantic softie, while beneath that again lies a hard-bitten scoffer. Gill, who won the Hatchet Job of the Year for his review in The Sunday Times[23] wrote: "What is surprising is that any publisher would want to publish the book, not because it is any worse than a lot of other pop memoirs, but because Morrissey is plainly the most ornery, cantankerous, entitled, whingeing, self-martyred human being who ever drew breath.

Reuters UK.