Mercker erich biography of mahatma

Despite this, Mercker did express horror at their actions when the party fell in But whatever the case, whether his membership into the Party was anything other than a move to preserve his career, Mercker never saw the same success as he did during Nazi rule in Germany.

Mercker erich biography of mahatma

Nonetheless, Mercker was still an active part of the German art scene in the years following the Second World War up until his death in Despite his renown as an industrial painter, Mercker also produced a large array of landscapes, cityscapes, and harbour scenes. These were executed with as much verve and vigour as the industrial scenes he so cherished.

He was attracted, it seems, to the meeting of human life and nature, and how they interact with each other. How mankind moulds nature as its own to create new inventions, new progresses and destructions. A large number of his works are now held at the Grohmann Museum in the United States, dedicated to art depicting the evolution of human life.

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Doe's paintings are sure to be sought by the discriminating collector. But an exhibit and biography about the artist has brought new facts to light — including the artist's membership in the Nazi Party — allowing for such questions to be opened up. The nature of Mercker's career during the Third Reich was raised in articles by my former colleague Whitney Gould and me when the Grohmann Museum opened in at the Milwaukee School of Engineering.

At that time, Mercker was the most represented artist at the museum, which exhibited artists with Nazi ties without providing that historical context. Art museum curators and scholars generally agree that exhibiting works made even to glorify the Nazis can be legitimate, though whitewashing the history is not. The art world has often explored the work of Leni Riefenstahl, for instance, known for making German propaganda films.

Typically, though, great pains are made to place her in context. There was, at the time, nothing about Mercker written in English and very little in German, he added. The largest trove of works by Mercker in the world is at the Grohmann Museum, a museum that celebrates labor and industry through art. Jung spent four years investigating Mercker's background, which included multiple trips to Germany, interviews with Mercker's now-elderly daughter Annemarie Mercker, visits to the National Archives in College Park, Md.

The research was funded by MSOE and the engineer and industrialist whose art collection is the basis for the museum, Eckhart Grohmann. Still, while acknowledging certain truths, the biography is sympathetic and at times reads like a defense of the artist and an overstatement of the significance of his work. Jung describes Mercker's work as being "appropriated" by the Nazis and demonstrates the artist's interest in industrial scenes that reflected German nationalist thought before and after Hitler's dictatorship, Jung said.

Mercker's decision to join the Nazi Party inJung writes, "flowed from the same body of thought that had shaped his art. But a "Nazi artist" is precisely what he should be called, according to Jonathan Petropoulos, a leading scholar on art during the Third Reich era. His recently published book "Artists Under Hitler" from Yale University Press, for instance, makes case studies of several cultural figures who sought accommodation with the Nazi regime.

Mercker actively sought to be included in the GDK and was in fact accepted into every annual show. Mercker also painted more industrial landscapes and tightened his brushwork more often, veering away from his more loose Impressionist style typically unfavored by Hitler, according to Jung's biography. This required that for years I almost exclusively painted technical subject matter.

The GDK artists played a crucial role in the rise of the regime and in the war, Petropoulos said. The images were published in exhibition programs sent to the front, for instance.