Little joe hernandez biography definition

Wanna know more information related to his birthdate? Check out the birthday box given below. This absence of personal data is a common trait among celebrities who opt for privacy in certain aspects of their lives. He was the seventh child in a large family of 1 3 siblings. His father's name is Salvador. His mother's name is Amelia DeLeon. She was a trained pianist.

His journey is a symphony that continues to inspire many. Little Joe had a unique academic journey. His formal education was cut short after the 7th grade due to the necessity of migrant work. Despite this early departure from traditional schooling, his education continued through life experiences and the school of hard knocks. His son, Isaac Hernandezwho is also the assistant principal at Temple High School, shared that Little Joe had to drive his family around and pick cotton at the tender age of years.

He was the 7th child of He was so excited, he realized that picking guitars beat cotton picking and he could actually get paid for it. Joe signed with several independent record companies based in Texas in the s. He says, "Oh yes, I can. But he always encouraged mebut he foresaw something for me that I didn't have that vision. So of course when Jesse died in a car accident, he was 20 years, at his gravesite I just promised that I would stay with it and I would take the music, that I would go to the top little joe hernandez biography definition it.

And of course different strokes for different folks, what is the top, you know? But when I did a concert in San Antonio a couple of nights with the San Antonio Symphony my band and a mariachi group, it's like pieces when the show would come to a finale and the dancers would come out and then the band, the mariachi and the orchestra. It was the 54th anniversary of my brother's death and I told the story and everybody just broke down along with me, everybody was crying.

But even when I won the first Grammy it was a tribute to Jesse and one my older brothers told me, "No Joe, that's the highest award you can get from your peers. You filled your promise. Jo Reed: Yeah, which must feel both a loss but at the same time a comfort that he's always with you. Well Joe a big change occurred when you moved to the Bay Area, this is back in I think.

Why did you make that move to California and what did you discover out there culturally, musically, politically? Joe Hernandez: Well again, Jesse always wanted to go to California when we were kids and I finally went to California in probably ' I started touring to California late '60s, early '70s andI went to hang around the Bay Area where it was all happening.

Los Angeles as well, but the music scene in San Francisco and the Bay Area was incredible, musicians from all over the world converging there and all kinds of music. But the Latin thing was really heavy. It was before Carlos Santana or Malo, I went to some of their rehearsals and that scene was just breaking out. But the Latin jazz was so heavy in the scene.

I have a friend from Houston, a jazz player, Luis Gasca who been working with a lot of those groups and he was able to get me booked on some of those shows that I opened up for different artists, the jazz salsa, it was just incredible. And then the farm workers' movement, a friend Jim Castle was producing, fundraising concerts for La Causa for Cesar and they asked me if I would be part of that.

An,d of course, me, coming from the fields I of course, that's me. I always say, "I'm a cotton picker and do music on the side. Of course the political side of it was there as well, all the marching and protests and everything that was happening the Chicano movement. And I had already gotten a feel for it from the civil rights because it seemed like I always had Black kids in the band and got to sleep in a lot of parks where we were refused rooms in the hotels, the motels and the restaurants.

So to me that was all part of my bringing up, all the segregation and discrimination, racism. It was funny because music kind of got me through those things, I knew I was allowed in places and services that others weren't because of the music. So when I got to California that was the key. It took me quite a while to settle on that name, but then I thought, "We're all family.

Jo Reed: Well, you go back to Texas and to Temple, the place you were raised. Why did you decide to return to Texas, bring your family back from California to Texas? Joe Hernandez: Well, I'm a country boy, I need my space. As a matter of fact ,Josephine across from my office is open fields, there's corn and there's cotton planted there, they alternate it every year.

And that's what I'm looking at and then I'm home on the cotton fields. But I missed that and I just didn't want my kids to grow up in that environment in a big city. I thought, it's more important that my kids grow up in a less insane place I guess.

Little joe hernandez biography definition

So,here I am. And as we said this language that you really expanded. But with record companies and to distribute your music, was there pressure on you to go mainstream and go commercial and sort of step back from the Chicano roots of your music? Joe Hernandez: I had an opportunity I guess to give that a shot or a couple or three opportunities, but to change my music and to go with a major label.

Capitol Records offered me a contract but I read the first paragraph where they were going to own and control and, you know, and I had just started my first record company, Buena Suerte, inand I thought, no, that's not what I want to do. I had an opportunity with my dear friend Huey Meaux who made a lot of groups happen. Again, I had just started my company, and the company wasn't just for me but it was for all the bands, my friends here in Texas that had no outlet because back then, all the Spanish language music was imported from South America or Mexico.

We had no record companies in Texas to record us, to record Mexican language music. And I know and understand, this is a specialized market, and it's not mainstream, but the numbers are there, you know? But for me starting my own record company, my own record label, which meant getting the music together, taking it to the band, rehearsing it, recording it, then manufacturing, and then distributing and promoting, I did all that.

I had learned how to do that, and owning it, and everything would go well, till it come to collect and, whoops, people bought the product but didn't pay me. That was a learning experience as well. But again, still today it's like I had to promote a lot of my shows in California-- like the Hollywood Palladium-- I had to promote that myself, but I had my records being played in the number one Cali station in LA so it was easy for me to promote my shows.

I had three, four records at a time on the top It was just really happening. But it's a specialized market. The big agencies don't understand a quinceanera or baptismal party. They don't know how to book those shows, and they don't-- you know, and I understand that. So I've always stayed independent even when I joined the major labels.

There was a great experience and great friendships, but they didn't really know or understand the market. They had no idea the major labels --the numbers that could be sold-- the Latin side of the major labels-- and I worked with them and then decided to stay independent as I have been. It's just worked for me. Like I said, not knowing exactly what I'm doing but having a gut feeling and not afraid to run with it ,has paid off for me.

Jo Reed: You are a multilinguist musically, as we said. Musical artist. Career [ edit ]. Awards and honors [ edit ]. Notes and references [ edit ]. Notes [ edit ]. References [ edit ]. Handbook of Texas. Texas State Historical Association. Retrieved March 3, Rovi Corporation. Retrieved December 27,