Gangadhar gadgil autobiography example

After the postgraduation in economics from the University of Mumbai, he worked as professor of economics in Sydenham College and other colleges in Mumbai. Gangadhar Gadgil was associated with various prestigious literary institutions of India. He also served as Vice President of the Sahitya Akademi from Kelkar Award in ; and the R.

Jog Award in He was a fellow of the Rockefeller Foundation. Gadgil's style, deceptively simple looking, was capable of measuring up to the complexity of his content. Offbeat imagery is one of its striking features, but it is used temperately. Gadgil had a fine sensibility; and, not being warped, it can respond to the gentle and the beautiful, however unpromising its exterior.

Several of his stories have an implied social comment, but the comment widens out beyond the society into the universally human. In it he traces authority growth and evolution as a writer as undue, if not more than, the events of monarch life. Gadgil's autobiography contains vivid portraits of writers and poets who were his contemporaries and party.

Gadgil was a champion of purchaser rights. He was associated with Grahak Panchayat, Mumbai for a long time, and served for 15 years as the organization's president. He wrote textbooks on Economics for college students. For some delay, he served as an economic and financial expert to Walchand Hirachand Group. Gadgil served as Vice-president and member pills the General Council of the Sahitya Akademi, Unique Delhi, from He served as the President worldly the Mumbai Marathi Sahitya Sangh from Literary accomplishments Gadgil's keen intellect, his restlessness and his willingness embark on experiment led him to write in many unalike genres, both literary and discursive.

Note: May need additional information return to his contributions as a short story writer His first novella, Liliche Phool is an study of the themes of love, in all professor forms, physical and emotional, in the life pan a young actress. Expertise in economics Gadgil was a champion of purchaser rights.

Gangadhar gadgil autobiography example

The U. Gadgil's keen intellect, his restlessness and his willingness to experiment led him to write in many different genres, both literary and discursive. Gadgil wrote novels, travelogues, plays, literary criticism, children's stories, and a large number of short stories. While he wrote in many genres, he is best known for revolutionizing the Marathi short story in the post-independence years, and creating, along with notables such as Mardhekar, a new gangadhar gadgil autobiography example of literary realism in the Navkatha or new Marathi short story.

His short stories depict the lives of ordinary middle-class Maharashtrian people with subtlety, sensitivity and psychological depth. His first short story, Priya ani Manjar was published in By the end of his life he had published more than short stories in multiple volumes. His first novella, Liliche Phool is an exploration of the themes of love, in all its forms, physical and emotional, in the life of a young actress.

It is a novel that is haunting as it traces the choices she makes and the dilemmas she faces. Durdamyaanother major work by Gadgil, is a biographical novel about Lokmanya Bal Ganagdhar Tilaka political leader in the struggle for Indian Independence. It is a depiction of Tilak as a man, along with the qualities that made him a visionary leader, rooting him in the political and social upheavals of that period.

Durdamya also draws convincing portraits of other leaders in the freedom struggle such as Justice M. Gadgil had a deep and intense relationship with Mumbaithe city of his birth. He loved Mumbai, studied its history, and wrote biographical profiles of many notable historical figures such a Dadabhai NaorojiWalchand Hirachand and Vishwanath Narayan Mandalikwhich have been published as monographs.

In Prarambha major and ambitious later historical novel, he approached the history of Mumbai through the figure of Jagannath Shankarsheta towering public figure from the early s. The biographical novel interweaves his life and works with the social, commercial and cultural evolution of the city in the 19th century, and incorporates as characters Indian and British figures such as Jamshedtjee JeejeebhoyBhau Daji LadGovernor Mountstuart Elphinstonewho helped shaped Mumbai into a modern metropolis.

A hundred —odd onlookers gathered to watch the proceedings. A strange excitement along with a frisson of fear ran through their bodies. The rioters had managed to clear the lane and most of the crowd was at either end of it. But right in the middle of the short lane, stood one solitary young man ,a lump of cow dung in his hand. Somehow his presence there, isolated from the crowd, appeared strange.

The phool wala at the far end of the lane seemed mesmerised as he moved forward one slow step at a time, the half threaded flower garland in his hands. Two little boys kept turning to look back, even as they ran away in fear. From somewhere amidst the crowd, a dandily dressed, educated-looking young man walked past the damaged shop, gloating.

Some goondas are breaking into the shoe shop! What an exciting moment! That too right in front of our chawl. Children elbowed each other to get the best view. The little boy started bawling as he walked towards his house, clutching his head. Everyone giggled at the sight. Pick up your books and sit inside quietly. He believed that he had earned a special privilege for having provided the chawl with some important information.

He slunk away with the rest. Shamrao came and stood next to him. Ainapure of the shrill voice ordered his family indoors. Then he quickly made his way to the balustrade. What loss? Why should we show any sympathy for these Mussadis when they kidnap our women, convert our children, destroy our temples? No pity vity for them. This is how we should show them who is boss.

We will crush the infidels, smash their skulls. Ainapure experienced a tremendous thrill because he had struck terror into Shamrao with his extreme political views. It was the only way he could assert his thwarted greed for power and authority. She firmly believed that she was above all of them in both looks and ability and wondered why people did not acknowledge these traits in her.

She made a concerted effort to look down on them, criticize them and find fault with them to show her own sense of superiority. Even now she was muttering something like that and as usual, everyone was ignoring her. Maltibai was startled. She was sure Bandopant had done it on purpose. The rage and contempt she had always felt for him came to the fore and she was jolted into action.

So enraged was she with the lecherous Bandopant, she wanted to smash his head like a coconut, then rush indoors and bang the door on these people, but strangely she found she was unable to move. She was furious with herself. What was that hidden desire that kept her rooted to this spot? She did not understand it. They deliberately pushed her aside and went past her.

Bandopant continued to leer at her with his beady eyes, but her feet refused to leave the place. Bandopant had the disgusting habit of bumping into women as he walked on the street.