Biography de philippe starck eyewear
Along with the New York collective Soundwalk, he even imagined a musical score that establishes links between musical and olfactive vibrations. In September Starck and Delsey presented 16 elegant and ergonomic designs that adapt to every use and every user, reinventing the world of luggage with Starcktrip. Lightweight and reliable luggage guaranteed for life, this is the result of research and cutting edge innovation that has explored as many materials as functionalities.
After three years of development, in autumn Starck unveiled his collection with the Brazilian company Ipanema. Thanks to this system of creation and virtuous production, Starck extends his concept of democratic design that is both eco-nomic and eco-logical. Because daily life is also about family life and children, Philippe Starck is committed to offering functional and innovative products, ushering in a new era for parents.
Then in Philippe Starck created a new revolution in this market with his range of original articles for Maclaren. Not just beautiful and elegant, they are high quality, practical and easy to use. Driven by the same passion for products and their beneficial effect on the body, Philippe Starck is also interested in the world of cooking, from the biomorphic lemon squeezer Juicy Salif Alessi, to his renewed approach to tableware with Miam Miam in In Philippe Starck mischievously revisited the Baccarat traditions by daring to revive the tradition of black crystal.
He gave the products in the Darkside collection, a tribute to the legendary Pink Floyd album, Dark Side of the Moon, symbol of an incandescent era, evocative names that resemble onomatopoeias in a comic book. In Philippe Starck gave Laguiole a knife with a stainless steel handle imprinted with a wood effect, adding to its natural appearance.
This piece for the table reiterates once more the ethics of simplicity so dear to the designer: no roughness and no complexity, because handling a knife is elementary. In September Philippe Starck showed his intuitive and intimate understanding of everyday objects with the creation of a collection of kitchen equipment — refrigerators, hot plates, cooker hoods, ovens and microwave ovens — for Gorenje.
These elements in stainless steel and high-shine glass, with their streamlined and elegant designs adapt to all interiors. Philippe Starck has always sought to convey a political, subversive message. He works by associating humour and poetry with spectacular undertakings. And he likes nothing more than knowing these surprises will provoke love or rejection.
By deciding early on to use plastic in his furniture creation Philippe Starck demonstrated a profound comprehension of dematerialisation and invisibility.
Biography de philippe starck eyewear
Less material for greater intelligence, this is how the designer imagines objects. And Philippe Starck is convinced the chair is the result of this new approach but also a legacy and collective Western thinking as well as the bridge he has built between dematerialisation and democratisation. Thanks to its technology it equally allows for good design and good technology at the right price.
With the Masters chair ofPhilippe Starck continues his reflections on the notions of dematerialisation and inheritance. C Kartell chairs he liberates the outside lines, going to the heart of every detail, to the interior generic lines. For Starck light plays the same role as words do for a writer: without it nothing is possible. His philosophy and ethics feed this notion.
His Hamish 3 Suisses,his Miss Sissi Flos, and his lamp SuperArchimoon Flos, demonstrate how long light has been of a decisive nature in his oeuvre. Subversive and political, the iconic lamp also bears the crazy poetry of its creator. His passion for subversion and confrontation with unusual objects without any apparent connection between them is perfectly evident with Marie-Coquine Every creation carries an under-lying message, a denunciation.
So the Attila stool Kartell,in the shape of a garden gnome, is a deliberate wave in the omnipresent sea of minimalism. Day and night mingle while living room and boudoir meld with this collection featuring a chair, a sofa and a pouf. With Lou Read he proposes an armchair with sculptural curves for the Royal Monceau, the place he met Lou Reed fifteen years previously.
More than just a tribute to his friend, the project is a manifesto for reading and conversation in an era dominated by screens. In this family expanded welcoming a chair and an armchair into the fold, entitled respectively Lou Eat and Lou Think. For Baccarat the biography de philippe starck eyewear revisited the timeless story of the iconic Harcourt, from the wall lamp to the table lamp and the legendary Zenith chandelier.
This poetry is echoed in the furniture designer for Magis, with tables which look as though they might take off or escape on their wheels and a dog with a knowing look. His latest creations for Kartell pay tribute to the chairs, armchairs, tables and console tables of his uncle and aunt in minimalist and technological versions. Proof, as if we needed anymore, that Philippe Starck never stops imagining a future leaning towards dematerialisation.
In Starck returns to his exploration of the dematerialisation and timelessness. In the same year, with Magis, Starck revisited his legendary armchair and while preserving the obvious simplicity of its lines he gave the Stanley chair Magis a new lease of modernity, thanks to the elegance of hi-technology deployed in its design. Technical elegance is also at the heart of the Bon Jour biography de philippe starck eyewear conceived with Flos.
This lighting collection inaugurates a new archetype, that of an ethereal body, pure, almost immaterial, that lends itself to personalisation according to tastes and the creativity of each individual. Long before environmental concerns became mainstream, a pressing urgency had told a prudent visionary that they would lie at the heart of our present, and be essential to our future.
His concern for developing durable creations imagined independently of any notion of a perishable world, and that they be above all useful and perform their essential function, has inscribed his work right from the beginning, in a responsible, ethical approach. His objects, his solutions, Philippe Starck wants to share them with the most people possible by offering hi-tech, ecological objects at affordable prices, without hesitating to make beautiful things or encourage responsible consumption.
He aims to go beyond survival by offering future generations the possibility of writing their future on a fresh page, so that they can invent another story and a new romanticism. This is the vision: to change the perspective of his creative actions, to go further and to share them with the greatest number of people. As a visionary Philippe Starck captures the mutations of a contemporary world by bringing about concrete answers through a bionist approach, among others, inspired by the organic and a will to initiate a sustainable de-growth, always looking for the most in the least.
Recognising the urgency to develop a democratic ecology, his civic battle has become increasingly radical today. In he invented an individual wind turbine for the Italian industrial group, Pramac, which is attractive and invisible, easily accessible and usable at an affordable price. It also responds to the new criteria of mobility imposed by our nomadic destiny.
Beyond its technical characteristics, it completely changes our approach to consuming and generating energy. In with Speetbox by Starck, the first collection of high performance heated furniture, Starck pursues an approach that lies at the heart of ancient preoccupations: rethinking our ways of consuming and generating energy as a key issues.
Thanks to an original smartphone app, the wood burner is controllable and programmable outside the home, high technology allowing for the personalised control of all heating parameters. Speetbox by Starck makes ecology and technology accessible to all, and offers the possibility of an economic, high performance and adapted heating solution.
The catalogue offered products in organic cotton and Ecover detergents, solvent-free paints Pushed by a generous and humanist impulse, he also created inOAO, a food company that aimed to simplify access to organic products as well as festive items such as champagne and wine. With Starck the priority is always the best for everyone, unconditionally.
And he has consistently proved that another vision of consumerism is possible. This consciousness of the symbol represented by water is also at the heart of his design of the bottles for the Saint Georges brand This bottle is like the water it contains: pure. It encapsulates what is most beautiful in Corsica. It also won the Eco Design Award. The objective of this project is manifold: to ensure the collecting and recycling of office papers but also to create an activity that ensures the stable employment of people experiencing problems with integration, such as those with disabilities.
In Philippe Starck presented his electric car, going back to the source of the object. And this prospective approach was received with interest by the general public: the project was recognised at the Sustainable Luxury 1. A vehicle for transporting. Almost nothing. So we have more. More humanity. More respect. More choice to show that we care about our environment.
Inhe founded the "Starck Product" company. Inhe began designing furniture and interiors for the French President Mitterrand, which launched in career and made him world famous. Since then his resume looks something like this from philippe-starck. Paris, France Manin Restaurant. Paris, France Royalton Hotel. Madrid, Spain Groningen Museum. Miami, United States Theatron Restaurant.
Mexico City, Mexico Mondrian Hotel. London, Great Britain Mikli glasses shop. Paris, France Bon Restaurant. London, Great Britain Hudson Hotel. Pip-e - Driade - Design by Philippe Starck. Lord yo - Driade - Design by Philippe Starck. Soft egg - Driade - Design by Philippe Starck. Miss Lacy - Driade - Chapo lampa - Flos - Design by Philippe Starck.
Sandas for Ipanema, Design by Philippe Starck. Read also: Has Philippe Starck set a precedent? The example of a project by Matali Crasset. Mud, Asphalt, Sand and Snow line, released in The collection comprised four ebikes, each intended to handle a particular terrain, powered by a Bosch motor. In JanuaryStarck redesigned the Navigo travel pass.
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