Austin film society wim wenders biography

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His book "Emotion Pictures", a collection of diary essays written while he was a film student, was adapted and broadcast as a series of plays on BBC Radio 3. Sex and violence was never really my cup of tea; I was always more into sax and violins. Hollywood filmmaking has become more and more about power and control. It's really not about telling stories.

That's just a pretense. But ironically, the fundamental difference between making films in Europe versus America is in how the screenplay is dealt with. From my experiences in Germany and France, the script is something that is constantly scrutinized by the film made from it. Americans are far more practical. For them, the screenplay is a blueprint and it must be adhered to rigidly in fear of the whole house falling down.

In a sense, all of the creative energy goes into the screenplay so one could say that the film already exists before the film even begins shooting. You lose spontaneity. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Texts Video icon An illustration of two cells of a film strip.

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As a boy, Wenders took unaccompanied trips to Amsterdam to visit the Rijksmuseum. He graduated from high school in Oberhausen in the Ruhr area. He then studied medicine at the University of Freiburg —64 and philosophy at the University of Dusseldorf —65but dropped out and moved to Paris in October in order to become a painter. Wenders completed several short films before graduating from the Hochschule with a 16mm black-and-white film, Summer in the Cityhis feature directorial debut.

Wenders's career began in the late s, the New German Cinema era. Protagonist Hans Zischler is released from prison, and after searching through seedy West German streets and bars, he visits an old friend in Berlin. The film was adapted from Peter Handke 's short novel. He then directed the period drama The Scarlet Letteradapted from Nathaniel Hawthorne 's novel of the same name.

From to Wender directed the Road Movie trilogy. The first film in the trilogy was Alice in the Citieswhich was shot in 16mm. The film is adapted from the Patricia Highsmith novel Ripley's Game. Critic Roger Ebert wrote of the film, "[it's] a movie with the kind of passion and willingness to experiment that was more common fifteen years ago than it is now.

It has more links with films like Five Easy Pieces and Easy Rider and Midnight Cowboy than with the slick arcade games that are the box-office winners of the s. It is true, deep, and brilliant". Peter Handke co-wrote the screenplay. It was not nominated; the academy seldom recognized West German cinema. The film has been released in several editions, ranging in length from to minutes, with the longer versions receiving mixed reviews.

Austin film society wim wenders biography

In he directed Faraway, So Close! It received critical acclaim, premiering at the Cannes Film Festivalwhere it earned the Grand Prix. The film received negative reviews and performed poorly at the box office after its debut at the Cannes Film Festival. Like many other of Wenders's American movies, it was shot in multiple locations, including the Griffith Observatory and the Santa Monica Pier.

Wenders has directed several highly acclaimed documentaries, including Willie Nelson at the Teatroa documentary about the recording sessions of Teatro Wenders also directed a documentary-style film on the Skladanowsky brothersknown in English as A Trick of the Light. Porter died before it was finished, and the film remains incomplete.

The project was founded by Martin Scorsese and aims to find and reconstruct world cinema films that have been neglected. As of he served as a Jury Member for the digital studio Filmakaa platform for undiscovered filmmakers to show their work to industry professionals. In a interview, he said his favorite movie of all time was his film about Pope Francisand that his entire career had been building up to it.

His admiration for Francis is profound; he said he felt Francis is doing his best in a world full of calamities. He also said that, though raised Catholic, he had converted to Protestantism years earlier. The film explores the role of religion in communal identity and how this can create or dissolve differences in a small Sicilian town during the height of the refugee crisis.

Wenders has worked with photographic images of desolate landscapes and themes of memory, time, loss, nostalgia and movement. The initial photographic series was titled "Written in the West" and was produced while Wenders criss-crossed the American West in preparation for his film Paris, Texas Wenders lives and works in Berlin with his wife, Donata.

InWenders signed a petition in support of director Roman Polanskiwho had been detained while traveling to a film festival in relation to his sexual abuse chargeswhich the petition argued would undermine the tradition of film festivals as a place for works to be shown "freely and safely" and argued that arresting filmmakers traveling to neutral countries could open the door to "actions of which no-one can know the effects.

From toWenders was married to the American actress and singer-songwriter Ronee Blakley. It provides a framework to bring together his cinematic, photographic, artistic and literary works in his native country and make them permanently accessible to the public. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. German filmmaker born Film director screenwriter producer photographer author. Lisa Kreuzer. Ronee Blakley. Isabelle Weingarten. Donata Wenders. Early life and education [ edit ]. Career [ edit ]. Photography [ edit ]. Personal life [ edit ].